My only interaction with RK Laxman happened via a letter.
The cartoons of Laxman and Mario brought me into the cartooning world. As a
school-going kid I used to re-draw/copy loads of Laxman’s cartoons which used
to appear in The Illustrated Weekly.
Somehow I managed toget his address and mustered enough courage to send
him a letter mentioning my passion for cartooning along with some cartoons. I
was in 12th class then. I
didn’t receive any response and I wasn’t expecting one too. But one day I got a
letter from him (sent through his assistant I presume). He wished me luck and like any elderly South
Indian, asked me to focus on education first.
I followed his advice. I focused on my education. But I didn’t
lose focus on cartooning too.
When I look back, I understand the actual meaning of his
advice.
May be he meant good education (not just degrees) is a strong foundation for an editorial cartoonist.
If you don’t focus on education, you may end up weakening a strong part of your cartooning skills.
May be he meant good education (not just degrees) is a strong foundation for an editorial cartoonist.
If you don’t focus on education, you may end up weakening a strong part of your cartooning skills.
Just like crores of Indians, I loved Laxman’s cartoons, be it his pocket
cartoons or his editorial cartoons or the illustrations he used to do for his
brother RK Narayan’s stories. Each of
his work is a lesson for any cartoonist who’s eager to learn.
I lived in Mumbai for almost two decades, but never had the
courage to meet him, in spite of many opportunities. I was in awe of his works
and in awe of Laxman, the person. I had
heard many stories of his ill-temper. And I was scared that he’ll refuse to
acknowledge me as a cartoonist!
In 2003, few months after joining Mid-Day, I got a call from
The Times of India. They were looking for artists. While I was entering the TOI building opposite VT station, I
suddenly realized that this is the place the God of cartooning worked for
decades. And unknowingly I touched the threshold, just like we do while
entering a temple.
After meeting the editors, I could see that they’re not very
keen on promoting cartoons, but they were more interested in ‘graphics’! And
they were amused when I told them that I want to be known as a cartoonist.
During the meeting one senior journalist asked me ‘how do you work? Are you
given subjects/ideas by the editorial team?’. That question really shocked me,
coming from a senior journalist at a mewspaper where Laxman worked for ages!
That question proved that though RK Laxman worked with TOI, he never worked
with them. He was his own editor, his own newspaper!
Laxman gave cartoonists the editorial space at newspapers. He earned respect from fellow journalists
through his works. He was the most complete editorial cartoonist India has ever
produced. His cartoons had the best ideas, the perfect drawing and a immaculate
sense of humour. A rare combination!
There was nobody like Laxman and there will be nobody like
Laxman. It’s improper to compare cartoonists, because no two cartoonists are
similar. Cartooning is not just about the illustrations. Cartooning is more
about the minds that create cartoons. So, no two minds can be compared!
I don’t regret not meeting my Dronacharya, because he lives
with me all the time till my last breath.
Goodbye, Sir!
Goodbye, Sir!